Home Cinema Joaquin Phoenix criticized the ending of Joker: Folie à Deux at the end of its screening in Venice

Joaquin Phoenix criticized the ending of Joker: Folie à Deux at the end of its screening in Venice

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Joaquin Phoenix criticized the ending of Joker: Folie à Deux at the end of its screening in Venice


The ending of Joker: Folie à Deux exploded on social networks and a possible reconstruction of what Joaquin Phoenix said in Venice recently went viral

Between the flashes and the excitement of the applause that lasted more than 12 minutes, the world premiere of Joker: Folie a Deux at the Venice Film Festival it could have revealed something more than simple applause. Some videos that have begun to circulate online promise something explosive: Is it possible that Joaquin Phoenix was criticizing the film during those eternal applause?

Truth or fiction? Lips don’t lie… or maybe they do

Despite the endless acclaim, reactions to the film directed by Todd Phillips have been polarized to say the least. With reviews ranging from enthusiastic to contemptuous, it seems so Folie a Deux He failed to convince everyone. But what happens when even the main star could be among the disenchanted?

Recently shared videos equipped with lip-reading technology suggest that Phoenix, in a moment of unintentional sincerity, may have called the film “awful.” While the technology promises much, discerning the veracity of these words is an even greater challenge. Lady Gaga’s answers seem consistent with the proposed subtitles, but the uncertainty about Phoenix’s statements only adds further mystery to the matter.

The duality of a long-awaited sequel

From your announcement, Joker: Folie a Deux generated astronomical expectations, carrying on the legacy of its predecessor, which was not only a box office success but also an Oscar winner. Joaquin Phoenix returns to his award-winning role as Arthur Fleck, this time facing not only new adversaries but also nearly unattainable expectations.

Together with him, stars such as Lady Gaga, Brendan Gleeson and Catherine Keener contribute their talents, trying to capture the essence of a story that has captured the imagination of millions of people. However, if the rumors are true, even these colossal talents may not be satisfied with the final result.

The controversy may center on the outcome of the film. Phillips is said to have opted for an ending in which Lee Quinzel, Gaga’s character, ends Arthur Fleck’s life, a decision that could have divided not only the fans but also the protagonists of the film themselves.

Joker Madness a Deux

What does that lip reading really tell us?

While opinions are divided, the video becomes a key element in interpreting not only Phoenix’s words, but the emotional state of an actor dedicated to his role. Was this a moment of candor caught on camera or just another misunderstanding of the digital age?

This new controversy adds a layer of drama and anticipation to a film that is undoubtedly already destined to be remembered, either for its cinematic successes or for the controversies it stirs up. Meanwhile, the debate rages: Are these Phoenix and Gaga’s true feelings, or simply an echo of the complexity of their onscreen characters?

Joker Folie a Deux

Arthur Fleck, beyond makeup

The character of Arthur Fleck, masterfully played by Joaquin Phoenix Joker and its sequel, Joker: Folie a Deuxhas had a profound resonance in popular culture, to the point of being compared to other iconic cinematic antiheroes. This new iteration offers a more intense and disturbing look at his psyche.further challenging public perceptions of heroism and villainy.

By analyzing the character’s evolution since his first appearance, we observe an in-depth look at the ethical and moral dilemmas he faces. Unlike the likes of Travis Bickle’s Taxi driver or Alex DeLarge of A Clockwork OrangeArthur Fleck faces his descent into madness with a mix of compassion and brutality that makes him unique. This duality is fundamental to understanding both the charm of the character and the criticism that the sequel has generated.showing how storytelling extends beyond the canvas of cinema to delve into contemporary debates about justice and morality.

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