One of the interesting things that happens due to the sliding chronology of the Marvel universe is that more and more time has passed from the formation of X-Men and, well, in general. In general, I would not recommend the writers to try to dive too deeply in these concepts, because it really makes sense to be everything, “Oh yes, the night before the fantastic four did their fateful flight, they all watched the seventh Fast and Furious Film, “even if it would actually be ten years ago now (and even if you want to suggest, and I would agree with you, that the current history of the Marvel universe, even with the sliding time scale, should look more like 13 to 15 years from the Fantastic Four # 1, we are still talking about the flight that takes place the same year Toy 3 is out). It is best not to think of this kind of thing.
However, a larger change in the chronology of X-Men, in particular, is that when Jack Kirby and Stan Lee started the X-Men, the idea was that the X-Men were all born of the atomic age and that it was the nuclear radiation which caused that these mutants present themselves from nowhere. Obviously, this idea was abandoned a long time ago, and the mutants have now existed for millennia, but in this spirit, it therefore suggests that there is a lot of mutant history that has not been explored, things that occurred from decades before there was a “X-Men” to get involved, and it is the intelligent hook behind this week of this week of this week of this week of this week of this week of this week of this week of this week of this week of this week of this week of this week of this week Uncanny X-Men # 13.
Uncanny X-Men # 13 is the writer Gail Simone, the return artist David Marquez, and the regular colorist, Matthew Wilson and Clayton Cowles, respectively. The problem uses the four young mutants who are trained by the X-Men Snape team, generally known as aberrant values (partly due to the fact that all four have “hidden” mutations, something that Simone plays intelligently as a hidden form of handicap), to explore a strange story of the new mutant in a great way that allowed Marquez to show its body and a strange formal expression growl.
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What are the aberrant values in this issue of Incanny X-Men?
This problem is defined within two different deadlines. It opens in the past, where a young black mutant comes to Haven, Louisiana, ostensibly burying his mother, but also, probably, for something other than we will learn more in the future. Simone explores intelligently what it was for mutants in the past, while detailing the already clear horror of racism. Something writers, I think, sometimes appear at the front, is to try to become too literal with mutant prejudices, because you cannot get too close to a comparison with racism, because you enter the area of deafness of the tone. Simone avoids this by having the mutant in history in the past also a black woman, so she carries all kinds of invisible backpacks on her, which makes it an excellent representation of intersectionality.
We then cut the present, where the aberrant values are attracted by a mysterious kind of obelisk in the middle of Haven, where they are required to discover new interesting information on the history of past mutants. Marquez is absolutely exceptional throughout all this, because something that must be recalled about aberrant values is that they are still adolescents, and adolescents are fully used to living together (and not to think about being murdered every five seconds), we are starting to see romantic tensions among the group, and this is where body language is the key, and That body language is the key, and Marquez is the right part of the group, and this is that body language is the key, and Marquez is good in the group. Just subtle looks and things like that. Just impeccable.
As I noted in my criticism of X-Men # 14, now that we have exceeded the cross period, the two titles of Mais-Men have had the freedom to start substantial arcs which are specific to their own titles, and it is great to see each book separate in what makes each series distinct and impressive.
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What kind of Dragon Quest Gambit takes place in this issue?
Meanwhile, in the other intrigue of the story, we see Gambit in an adventure with the dragon of the first issue (which Gambit relieved a powerful magic object). As I said on body language, see how much work does a job on Gambit and Snape sleeping together in bed. He is both sexy and Swet, and a little humor, that’s all you can hope for in a simple panel arrangement, as he tells us about one panel.
Gambit then triggers in his adventure (while being in his underwear), and they find themselves in the Savage Land, where Gambit can show his powers a little, but above all we can see how the dragon seems to be concerned with Gambit who clings to the object for too long, because he wants to give Gambit to bring him back now. Obviously, Gambit won’t do it, but it works very well as a disturbing piece of narration. We seem ready for new types of stories in this series, as we can say of the surprise star invited at the end of the number. I can’t wait to know where this trip is going.
Source: Marvel