The extended universe of DC could never be up to its potential. The franchise has sadly experienced a trembling start with Steel man,, Batman V Superman: Dawn of Justice And Suicide team All receiving bad critical reception. However, because the films were profitable, the DCEU continued to roll for a decade. The DCEU was perhaps not perfect, but he finally provided a common universe in the work of Marvel Studios, and finally gave character films that were long expected for theatrical spotlights. At the top of this list was Wonder Woman, and the 2017 film was the first DCEU film to receive a positive reaction from critics and the public, while becoming success at the box office in the process. After the success of the first film, WONDER WOMAN 1984 continued the script for the first film, Patty Jenkins returning to Direct.
WONDER WOMAN 1984 followed the most successful DC film since The black knight goes up When it was released, there was a lot of media to deliver. WONDER WOMAN 1984 was also published at an unprecedented moment in the history of cinema during the Pandemic COVID-19. Instead of receiving an exclusive theatrical version, WONDER WOMAN 1984 was available on HBO Max on Christmas Day, Negative impact of its box office. In addition, criticisms have not found the 2020s of the sequence, largely because of its tonal change from the first most serious film. However, WONDER WOMAN 1984 is much better than criticism and fans give him credit, hence the reason why it was the most overrated DCEU film.
Wonder Woman 1984 resolved the biggest issue of the first film
Many still see the first Wonderful woman Film as one of the best entries in the DCEU era. Despite its strength, the film was always faced with a common criticism surrounding its villain. Wonderful woman In particular had third -act problems, and the film had no wonderful villain because the revelation of ARES did not correspond to the quality of what happened earlier.
When it comes to WONDER WOMAN 1984Jenkins, Geoff Johns and Dave Callaham have designed a story with Maxwell Lord as the main antagonist, With Pedro Pascal in the role. Maxwell Lord has become a key figure in the new DCU, but WONDER WOMAN 1984 was the first to bring the character to the screen.
In WONDER WOMAN 1984Maxwell Lord had a lot more depth than Ends in the first film, with his desire to prove himself to his son. Pascal also delivered a fun turning point in the vein of a famous politician. The DCEU presented many bad guys from a note during his race, from Ares to Steppenwolf, but WONDER WOMAN 1984 had one of the most memorable with Maxwell Lord.
WONDER WOMAN 1984 Also led to detect one of the character’s most emblematic bad guys in Cheetah. While Barbara Minerva’s script does not quite correspond to Maxwell Lord, his transformation into a cheetah has always contributed significantly to the Arc of Wonder Woman in the film.
Wonder Woman 1984 presented powerful themes
The follow -ups of comic book franchises tend to present the best stories because they have exceeded the origin of the character and have the freedom to really test the hero. WONDER WOMAN 1984 was no exception, with the different themes integrated in the DCEU film.
Diana Prince is one of the most compassionate superheroes, and WONDER WOMAN 1984 looks at this idea with his heroism. However, desire was the most important theme of the film, with Maxwell Lord using the power of the dream stone to control the world. In addition to allowing Maxwell Lord to deceive everyone around him, the Dreamstone also brought back the love of Diana, Steve Trevor, back from the dead, as we see in the first film.
As Maxwell Lord’s greed increased, it finally led to his fall. Meanwhile, Diana realized that she and Steve could no longer be together, which allowed her to become the hero she was to be. The difficult choice also led Wonder Woman to find the ability to fly in a powerful scene that takes place on “Adagio in D Minor” by John Murphy.
Wonder Woman learned a convincing lesson in the following: the powerful message of letting go and not giving in to greed. The best superhero films are those where the hero is ready to sacrifice their desires to save the world. WONDER WOMAN 1984 accomplished this with a battle between the truth and the lies, highlighted by the powerful discourse at the end of the filming of the “Beautiful links” by Hans Zimmer de Batman V Superman: Dawn of Justice.
Wonder Woman 1984 perfectly channeled classic Superman films
Richard Don’s first superman film remains one of the most impactful superhero films ever, because he influenced everything Batman begins to the whole of the Marvel cinematographic universe.
Jenkins was also very inspired by what to give did SupermanAnd that was obvious in the first Wonderful woman movie. WONDER WOMAN 1984 did a little further, not only with its frame, but also with its tone. Unlike the serious tone of the first Wonderful woman And many other DCEU films, the continuation has adopted a much lighter approach. Consequently, the film had more cheesy moments which channel the classic Superman Films with Christopher Reeve.
In addition, the lighter tone of WONDER WOMAN 1984 I did not prevent it To have powerful moments, which is why it worked better than other attempts. The meticulous approach to WONDER WOMAN 1984 Quickly stands out with its own torsion on the kind of superhero.
WONDER WOMAN 1984 went against the darker DCEU tone for which he became sadly famous, and it was refreshing, given the time when he came out. Like giving Superman And Sam Raimi Spider movies, WONDER WOMAN 1984 found a good balance between a powerful story and a complete embrace of the comic strip camp. The famous public James Gunn SupermanAnd WONDER WOMAN 1984 carried a similar feeling, so the DC film could be released before its time.
The partition of Hans Zimmer Wonder Woman 1984 is criminal underestimated
Hans Zimmer is one of the biggest film composers, and has been responsible for some of the most memorable musical scores to accompany superheroes. Zimmer’s foray into the superhero space came with Batman beginsAnd after marking The Dark Knight trilogyHe finally approached Superman with Steel man. Zimmer remained with the DCEU and composed the scoring for Batman V Superman: Dawn of Justice With Junkie XL.
After his stay on this film, Zimmer revealed his initial retirement from superhero films. However, WONDER WOMAN 1984 brought Zummer out of the superhero retirement, replacing Rupert Gregson-Williams, who worked on the first film. While Zimmer did not score first Wonderful woman film, he was the man behind him instantly recognizable Wonderful woman Theme that released Batman V Superman: Dawn of Justice.
When it comes to WONDER WOMAN 1984Not only has Zimmer brought back his emblematic theme, but he reinvented it with a much more edifying sound. There are also other memorable themes of the partition of the suite, such as that of Maxwell Lord and another, symbolizing Diana and Steve’s Lost Love. Zimmer is behind some of the best film scores of all time, especially with regard to superhero films. WONDER WOMAN 1984 is quietly part of his best work, and it takes the moments of the film at the upper level.
WONDER WOMAN 1984 It was a daring direction for the franchise to enter after the resounding success of the first film. The 2020 film was lost in the shuffle of all the other DCEU films that have disappointed it as much over the years. However, there is much more merit in WONDER WOMAN 1984 that people come true. The film looked at the source material with the inclusion of major DC characters like Maxwell Lord and Cheetah, and it even presented classic elements like The Invisible Jet.
The rest of 2020 should have been a much more pleasant business, and its reception could have suffered because of its release calendar. WONDER WOMAN 1984 was a sincere and personal film that more challenged Diana. It was also a fun film that brought the energy of a suite like Spider-Man 2. The DCEU film was not perfect, but the powerful themes, the incredible score, the remarkable villain and the nostalgic sensation make it better than people do it. Committee films have had many phases over the years, ranging from serious tones to comic tones. WONDER WOMAN 1984 Captured the essence of the character with an ambitious vision, and she does not deserve the criticism she has received over the years.
WONDER WOMAN 1984
- Release date
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December 25, 2020
- Execution time
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151 minutes
- Director
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Patty Jenkins
- Writers
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Patty Jenkins, Geoff Johns, Dave Callaham
- Producers
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Charles Rover, Stephen Jones, Zack Sinss, Deborah Cheats, Gal Gadot
