Home Cinema This 53 -year war series still has a legendary television record that could never be beaten

This 53 -year war series still has a legendary television record that could never be beaten

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This 53 -year war series still has a legendary television record that could never be beaten


CRUSHThe Medical Drama / Medical Comedy series of the Korean War based on the film of the same name, changed the absolute situation in the world of television in its first in 1972. The series mixed comedy, trauma, tragedy and romance in a race of 251 episodes that changed the way people have watched TV.

While the whole series has been watched fanatically by viewers everywhere, CRUSHFinal of the series series, an episode of feature film entitled Goodbye, Farewell and AmenMaybe is one of the best television episodes ever produced. Certainly one of the best finals of series ever created, Goodbye, Farewell and Amen Also has an narcotic television disc which has not yet been exceeded since its broadcast in 1983.

M * a * s was a pillar of American television for more than a decade

The long -term series was a must for any television fan

The first story of CRUSH is actually more complicated and complex than many fans think so. The series, which is undoubtedly the most popular and well -received iteration in history, was based on the 1970 CRUSH Film by director Robert Altman – a film which was itself based on a 1968 novel, Mash: one novel in three army doctors. Although it has been decades since any type of CRUSH-The linked content has been published, many people from around the world still hold the franchise as a beloved marker for a golden age on American television. Although the book and the film prior to the series, the drama of longtime medical comedy is what most fans know and like. With Alan Alda, Loretta Swit, Jamie Farr, David Ogden STIERS and Gary Burghoff, among others, the series had an stacked distribution of incredibly talented artists who could easily represent stupidity and pain associated with the show.

The series represented the different adventures of His protagonist, the surgeon Hawkeye Pierce, and his many friends and colleagues in a unit of the Korean War M * s * H – A surgical hospital in the mobile army that treats wounded soldiers who recently fell in battle. Skillfully combine comedy and drama, CRUSH was something daring and again in the television landscape of the time. The mixture of genres, the intense framework and themes and anti-war feelings were all the things that shocked viewers at the time. However CRUSH Take place in the Korean War, it was, in reality, an obvious comment on the much more relevant Vietnam war. The series may have taken place in Korea, but its daring political position, its characters on the left and its refusal to bow before the typical thought of such a conflict made it an incredibly powerful work of art.

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Apart from its revolutionary thematic achievements and its narration for the limits, CRUSH was also just a great television every week. It is a thing to be avant-garde, revolutionary and impressive for the time, but it is another thing to entertain the public successfully all these years later. CRUSH There remains a complete and total pleasure to watch to date, and this is largely because of its incredible work of character. The comedy of the series comes from the way the characters interact, small things that make them clumsy or idiots or sad or boring, and the circumstances in which all the characters are found. A broader and older approach to comedy would not have worked in the environment torn by the war of CRUSHAnd the creators judiciously avoided this – which resides in the future the series in a way that few other television shows of the time had done.

The final of the series has established a television disc which has not yet been overcome

The final of M * a * s * HA Give people to connect everything to say goodbye

The final of the series of CRUSHtitled Goodbye, Farewell and AmenReleased on February 28, 1983. It was a feature film for the emblematic television series, and there remains one of the most incredible series finals in the history of television. With signing signing mixed with comical prowess effortlessly from the rest of the series, Goodbye, Farewell and Amen Feels also emotionally powerful now as when it was released. Considered CRUSH Exist for over ten years when the series was coming to an end, the final looked like a major event for the television public. The attention that CRUSHThe final received from the final remains inconceivable for any other television series to reproduce or reproduce. Seen by 105.9 million viewers when it was broadcast for the first time, Goodbye, Farewell and Amen There remains the most watched episode of a television show never produced.

Only a few things have ever received more live viewers than the CRUSH Finish, and none of them are real television episodes. The only things between CRUSH And the first place TV is the Super Bowl Broadcasts and the landing of Apollo 11 Moon. This amazing fact borders the incredible for television fans today. An episode of a television program receiving more than 100 million live viewers is practically impossible in the streaming era, and even the programs that become major successes with the public do not attract the kind of figures that show like CRUSH did. Due to the plethora of serial options that each spectator has today, there are so many shows than everyone look at. The “Water Cooler” series mainly belongs to the past, with only a few notable exceptions.

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CRUSH was not only a popular television series – it was a cultural touchstone. It was something that had been a must in the television community for the vast majority of the 1970s, and he had always remained excellent throughout its broadcasting. This has changed the game in so many ways for the comedy series, for medical dramas, for war narration and television as a whole. The use of the traces of laughter and the way they would do it not Being used in certain scenarios was a daring creative decision of the people behind the series, and the mixture of genres CRUSH is one of the things that made it feel fresh and exciting in the modern television landscape. An episode could easily swing wacky hijinks between radar and Hawkeye in the first minutes of sorrow that was tearing up a few moments later in the surgical tent. The series has managed its tones and genres so well that it has inspired countless future work.

M * a * s remains a major influence on so many series today

The series has redefined several genres and television rules

Medical dramas are among the most common and most watched types of emissions in the modern television landscape. Series like Grey’s Anatomy,, EAST,, Chicago Medand the recent The Pitt are all huge successes with viewers. Much of this comes down to the simple fact that people are interested in the world of doctors and their patients. The thrill to see people saving lives every day made good television, and that has remained true for decades. CRUSH knew the importance of such narration in the 1970s and the path He managed the responsibility of being both a comedy and a drama continued to inspire filmmakers to date.

A clear follower in CRUSHThe traces were Scrubs – Another longtime comedy / medical drama that has balanced humor and sorrow in an equal measure. Scrubs was unique in his brand of stupidity. The bizarre humor, the rupture of the fourth wall and the references of pop culture have made the spectacle different from its contemporaries in the genre medical drama, but its commitment to the serious and mature narration when the story demanded it is what made the spectacle work. This feeling of balance is something that has been so firmly established by CRUSHAnd it’s so wonderful to see the things put in place by the classic medical drama still used today. CRUSHThe anti-establishment brand and anti-war feeling within the limits of a war story was also something that was clearly taken up by future creators. The films and the series attacking the absurdity and the soulless nature of the war as a concept have been discussed several times over the years, and CRUSHSuccess probably has a strong hand in there.

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With a revolutionary finish of record series, an overall set packaged to the brim with ultra-tailious stars, hilarious scripts and many moments of tearing during its 251 episodes, CRUSH is a miracle of a series. This is the kind of series that should not have operated as well as (or at the very least, should not have time as well as), and it remains one of the most important American television series of all time. Sad and silly to the same extent, CRUSH Set a standard for television that has benefited from the support for decades, and without it, the television landscape would be very different today. His record could be broken one day, but it does not seem that this day is coming soon.


crush

CRUSH


Release date

1972-1983-00-00

Showrunner

Larry Gelbart

Directors

Larry Gelbart

Writers

Larry Gelbart, Richard Hooker


  • Instrument 50184131.jpg
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    Loretta Swit

    Margaret Houlihan

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    William Christopher

    Father Mulcahy

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    Jamie Farr

    Maxwell Klinger



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