After the success of Alfred Hitchcock Psycho In 1960, the kind of modern horror was born, paving the way for modern masterpieces like Sinners And 28 years later. While the repression of the Hays code ended, a new darker era of cinema and television was born, from the 1970s. While the decade produced a range of sustainable classics, An anthology made for television remains a decisive part of horror at low budget.
Although horror is one of the most successful genres in cinema, with many franchises that last much more than ten films and covering decades, he has not always had the respect he deserves. At a time when the public, criticism and censors were all skeptical about the effect that the genre had on the public, such films were almost always on a budget, Campy and often made for television. Despite some films bringing shocking stories on the big screen and taking advantage of success, others were much smaller productions. Fifty years ago, such a TV movie was produced, exploring a series of horror tropes today classic through a subversive objective. While the modern public could be more used to more scary programs like Terror And Zero channelThis icon was perfect for the public of the 70s – And it is streaming for free on Sling TV.
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The 1970s made horror terrifying
While the 1970s began, almost all kinds of cinema became more experimental and risky, crime becoming darker and more frightening horror. After films like Tobe Hooper’s The Texas chain saw the massacre And William Friedkin Exorcist shocked millionsMore creators felt free to explore darker stories. Suddenly, the public of frightening films wanted more than the same old formulas, and more directors turn to the different scary sub-genres. From terrifying supernatural films to bloody slashers, horror fans were filled, then some, even by seeing mixtures with science fiction sciences. Today, it is impossible to find a horror film that does not owe something to a film from the 70s, even if it is the way the creature presents all the loan to Steven Spielberg Jaws.
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The horror scene of the 70s gave the public more horror franchises than we can count, with Halloween,, Friday 13,, Dawn of the dead,, Omen, And Stranger After the success of Hooper and Friedkin. At the end of the decade, the genre had been firmly established as a box office center. However, all the best horror projects were not carried out for the big screen, the following television closely. Three years after Freddie Francis’ Crypt tales I have people who talk about horror anthology films, The director Dan Curtis brought another great anthology to the public, this time directly on television: Terror trilogy.
Terror trilogy, explained
|
Terror trilogy |
Writers |
Streaming options |
|---|---|---|
|
1975 |
Richard Matheson and William F. Nolan |
Flixfling on Slingtv and Darkroom |
As its name suggests, Terror trilogy is an anthology broken down into three unrelated stories, each with Karen Black in the main role. The film opens with the story of Chad Rogers, a student who becomes obsessed with his teacher, Julie Eldridge. One of the most intelligent and most engaging students in his class, Chad can charm her to accompany him in a movie room by car. Surrounded by his fixation, he uses drugs, allowing him to take naked photos for blackmail. When he explains the situation to her, she is disturbed, but reluctantly accepts to do what he says. While the story is coming to an end, however, he revealed that there is much more to his obsession than the public could not have guess.
The second segment, nicknamed “Millicent and Therese”, presents the public to Millicent, an old -fashioned woman who meets the boyfriend of his sister Therese. Herborating a deep resentment towards her more promiscuity and attractive twin, she tries to dissuade man from seeing her further, even affirming that she uses witchcraft. Later, she sees the family doctor, Ramsey, who will visit Therese. When he arrives, she tries to seduce him, inserting him when he refuses his advances. The story goes to Millicent, who, after finding his room destroyed by his sister, decided to use the very dark magic that terrorizes her to kill Thérèse. When she puts her plan into force, it leads to a shocking discovery.
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The third and the most famous segment, “Amelia”, presents a young woman who bought a rare Zuni fetish doll for her boyfriend. Request to contain the trapped spirit of a Zuni warrior, named the one who kills, the enchantment of the doll would be retained by a small gold chain rolled around him. When Amelia starts the chain wrongly, it is terrorized by the now alive doll. Armed with his miniature spear, he pursues her from room to room, hitting her violently and stabbing her, forcing her to take refuge in her bathroom. However, when she is moving to kill the creature, things are turning with concern for her.
The third segment raised the film
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While the first two stories are average, no more or less intriguing than the Twilight Episode, the film is actually raised by its third and last segment. The first two were stories of psychological torment more than anything else, overthrowing the script on the public because he forced them to sympathize with the bad guys at the end. In “Amelia”, it is almost half an hour of tense and strange claustrophobia as a woman who is prosecuted around her apartment by a possessed doll, who stops nothing in his quest to assassinate her. When The Big Twist takes place, he reminds the public all that Friedkin is The Exorcist, who made his debut two years before. At this point, the public was ready for a supernatural good horror, and Terror trilogy gave them exactly what they wanted.
The love of the third segment is one of the rare points of agreement between fans and criticism; The first magnet the creature, the second suspense. The first two are sufficiently intriguing, but the last story is so different and good that it is practically alone, so much so that it is in fact in the 1996 suite in the film. When the monster made his debut, Stephen King was still a new author, Chucky did not exist, and the typical haunting film was closer to a slow combustion film than a creature feature. See Karen Black terrorized by the Zuni fetish doll has practically become a rite of passage for young viewers of the 70s.
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In a world where films love Annabelle,, Child game, And M3gan Maintain a strong and dedicated horror fans base, it should be remembered that such stories were not always the norm. In 1975, the idea was such a rarity that she managed to build a following cult Terror trilogyEven if fans did not like the first two segments. With the four female protagonists played by Karen Black, the film became a success that he ended up defining his career, to his Dam while she was moving to be typast. Fans, on the other hand, transformed the actress into a horror royalty for her game, which alternated between very different characters, ranging from the subtle and evil to the queen of sympathetic cries.
Horror anthologies must return
The format allows experimental narration
The 1970s saw an increase in horror anthologies, with Terror trilogy A stand out as a perfect showcase of the potential of the format. As with the TV movie ’75, it tends to be the creature functionality, segments focused on monsters that stand out the most, allowing the public to be frightened by implacable killers. Although these projects are not always a success, they can be a launch ramp for actor careers, franchises, writers, directors and even goods. After all, Films like Stephen King Pet has proven that small productions and stories extracted from comics ideas and exploitation horror can remain emblematic of decades later.
For the modern public which dates back to classic horror for inspiration and entertainment, it is always important to enjoy neglected or forgotten films. After all, they continue to influence modern cinema, whether fans know it or not. In a world where Halloween,, Stranger,, Friday 13, And Massacre of chainsaw in Texas are still horror icons, it is compulsory to see the real fans of Karen Black’s experience Terror trilogy At least once in their lives.
