MGM + From was a sleeping success for most of its creation. Whatever its reception initially mediocre, the Horror Sci-Fi series has remained persistent in strengthening its tradition, possibly gaining momentum. As the series returned for its third season, He had drawn the attention of viewers and was in such high demand that he made his debut with an almost perfect Rotten Tomatoes score.

One of the main reasons why From I found the popularity and the universal acceptance that it did not rely as something epic. Without almost no straighteners in its cast and a very anchored premise, From managed to surprise fans only according to its strong narrative and horror elements. Fans loved the strange atmosphere of the show so much that they salute his opening sequence as one of the most frightening in television history.

To go everything in his opening sequence

The series offers the greatest shock value in a brutal monster meeting

From Was a pleasant surprise for horror fans since its beginnings three years ago. Without any expectation that is looming, the MGM + series was free in its gross representation of classic horror elements. Fans have not been entitled to a spectacle that does not market as frightening but offers a terrifying experience that is not overwhelmed by the manifest horror for a while.

It is time for television and filmmakers to include that a creeping black silhouette in the corridor or thing of the bathroom mirror no longer explains good horror. Fans need something hairstyle and brutal that sets the tone right away. Fortunately, From Starts with the promise of nonsense, and although she was able to frustrate viewers with the secret of the canton, that did not disappoint with the factor of fear.

Regarding brutality, From Do not hold back because he needs the public to believe when someone sees this tree on the road, he is condemned. This is why the series begins with the slow accumulation of a frightening atmosphere while the dark people of a dilapidated city begin to close the store and return home. Sheriff Boyd enters an emblematic pose, walking in the street as it sounds a bell, Its framed silhouette against the light that fades while it warns the city of the setting sun.

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The scene quickly attracts viewers, raising their curiosity to explain why people cannot go out after sunset. While Boyd does his duty, he goes through a wooden board hanging from the station which says: “Nights without incident, 96.” Ephemeral detail is sufficient to intrigue the public, and they are subtly preparing for the revelation of everything that haunts the city.

While the scene develops on the provision of the city, the episode presents some of the city dwellers, among which we are frank. He passed out in the local bar while his wife and daughter, Lauren and Meagan, worried about him at home. At that time, the perplexed routine of residents will plunge viewers into an essential fear. Why are windows and doors covered? Why can’t they get out? Why do they have talismans at the doors? However, it is not even the worst because the nightmare begins with a horrible death that cements From Like a dark and disturbing story of monsters that torture for pleasure.

The first episode establishes “of” as an implacable supernatural tale

He promises a pure horror but offers something even better

The grotesque disappearance of Meagan and Lauren at the start of the series testifies to From’s Commitment to be absolutely cruel. The tone radically goes from the strange to horror in a few minutes, and it is the most important quality of the show. Fans have no idea what’s going on in the city, and the mystery only deepens after the horrible meeting with the grandmother monster. In a calm suburban moment, Meagan climbed with casualness in his room as her mother told him, but she is distracted by a strange voice coming from the window. While the little girl fell the curtains, a ghostly silhouette resembling her grandmother appears strangely outside the second floor window—Anunnally suspended, as glued to glass.

Sweet Little Meagan offers the elderly silhouette to come, because it is not sure to be outside. The grandmother grabbed luck and Cajole Meagan to open the window and let it in due to fear by voices outside. Without background music or fanciful effects, the tension in their slow conversation is almost scary. What will happen if Meagan opens the window?

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Well, nothing would have prepared the public for what happened next, because when Lauren came to check her daughter, it was too late. Although she warned her daughter not to open the window, the act had already been done. As the lock opened, the sweet old lady turned into a hideous monster with claws and teeth in the shape of a vampire, And without hesitation, he jumped on the little girl and his mother.

The screen cuts, but their cries persist for a while until the public is presented to the Matthews family. Although the series does not immediately immerse itself in the details of the event, the reaction of the city to the incident reveals why residents had to be inside before nightfall. In addition, as if the terrifying scene was not enough, From Sharely forces viewers to attend the horrible consequences of the meeting of monster, strengthening the idea that the consequences in the city were far from disastrous.

The brutally torn bodies of Frank’s family devastated the whole city, in particular Boyd, who considered that, as a patriarch, Frank should have done more. They had rules for a reason, and that involved nailing the closed windows if we had children in their household. It is these apparently banal precautions that subtly build the show’s horror foundation, superimposing it with discomfort, helplessness and exasperating frustration of being trapped in the unknown. Needless to say, in a few minutes, From Removed what shows that is obviously marketing because horror cannot do in several seasons. It is this initial hook which is supposed to provide the maximum shock value, and From Excel from the start.

Of the opening scene of

The show deliberately left clues to sight

Veterans fans have long compared From has Lost Due to the similar approach to the spectacles with mysteries in layers and the mixture of sub-genres. While Lost was intrinsically a science fiction, From Something to balance its science fiction elements with supernatural routes. Although the monsters presented in the series are not specifically of supernatural origin, their behavior is intelligently incorporated to appear as haunting figures rather than physical creatures.

The series was so subtle to move between the genres it goes almost unnoticed, therefore, little appreciated. The fact that From started with the death of a little girl proved that he was not going to count on the armor of the intrigue for narrative progress. The goal was to set up a neon panel saying that no one was safe in the canton, And what could be better to facilitate this fact than to launch the show with a number of bodies.

While From Perhaps not a dedicated horror show, he always has one of the most frightening opening scenes of all time. He completely takes viewers by surprise because the programs generally refrain from repelling viewers, and killing children is the way of doing so. However, from the point of view of the show, history concerns brutal survival, and in reality, evil does not distinguish between children and adults.

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In addition, now, after the shocking revelation on the truth about how the monsters were created in the first place, the death of Meagan has all the more sense. It all started with residents of origin of the city offering children in sacrifice to a sinister entity, in exchange for which they would gain immortality. The horrible act linked the souls of children to the city, and they started to appear as the macabre children of Tabitha and his family.

The reason why people are trapped and the cycle continues to repeat itself is that they could not protect children from the horrible ritual. If fans in the eyes of Eagle look at him closely, the opening scene was actually a strange prefiguration of the shocking truth about the city and its monsters. Meagan’s death was symbolic of the way the monsters had treated the city children.

The appalling scene was not only a hook, but a real clue opposite on the odious past of the city. This proves once again From’s Storage configuration and intelligent construction of an intrigue that never remains monotonous. If, in a case, the series ventures into the science fiction territory, it immediately removes the intrigue from its supernatural roots by doing something as frightening as monsters disguised as grannies killing little girls.

From

Release date

February 20, 2022

Network

Epix, mgm +

Directors

Jack Bender, Brad Turner, Alexandra La Roche, Bruce McDonald, Jeff Renfroe

Writers

Vivian Lee, Kristen Layden, Brigitte Hales

• 

  Harold Perrineau

  Boyd Stevens

• 

  Catalina Sandino Moreno

  Tabitha Matthews