As I noted the last time, the history of mutants of the Marvel universe is filled with “dead” periods, where we really do not know how mutants lived. This problem plunges into these areas of the past, and we see that the horrors of the past bind to an frightening adventure in the issue in a smart touch at the end of the problem. It is a really cool way to make a strange story in the present which immerses itself in large pieces of characters with the current cast of the series, while making it based on the past, thus giving it a very beautiful depth. It’s something to make a story of horror, but it is another thing to take true horrors of the past and to go to modern supernatural horror.
Uncanny X-Men # 14 is from the writer Gail Simone, artist David Marquez, Matthew Wilson and Letterur and Clayton Cowles, and he shows the current mutant students of the X-Men, known as the aberrant values, attracted by a mystical door, where they are surprised to find a specific mutant guardian. Who is, of course, who is the great torsion of the scenario. At the same time, we continue with Dragon Tales de Gambit.
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How were mutants of the past driven by “sentries”?
In the last issue, we were presented to a young mutant at the beginning of the 20th century, Miss Henrietta Benjamin, who comes to Haven, Louisiana (the current house of the X-Men team of Rogue), ostensibly buried her mother, but obviously, she has other motivations (especially with a mysterious box that she brought with her). She is met by another mutant, who takes her where she heads. They are followed by “sentries”, in a very intelligent song by Simone to reference modern sentries, only, you know, not giant robots, and in the past. It is an excellent statement on how whatever the time, there will always be someone who will try to play with minorities. Having the two mutants being black was also a nice touch, showing how double prejudices of the past were at stake here.
Clayton Cowles is a wonderful endure, but he really outdated the lettering of “Journal Entry” from the past, which is really difficult to do and makes it easily legitimate, but he removed it. The past things have had such a torment, that it prepares us really well for everything that is going on in the present, where the mutants must reveal their truth before man allows them to enter a certain door. There was a very beautiful revelation of one of the aberrant values. It is a dark revelation, but what is even better in revelation is how it is linked to two new character bits – 1. That, but what does that mean? “I love it when revelations only lead other mysteries. It is such a difficult thing to do, and when revelations are not really revelations, it is a frustrating cop in a serialized fiction, so when someone can make a real revelation, and yet still naturally a attached mystery? It is just a writing of quality just there.
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In a CBR review by Uncanny X-Men # 12, we look at a charming gambit projector problem filled with flavor of New Orleans
How do Gambit and his friend Dragon deal with problems?
AS NOTUD LAST TIME, GAMBIT WAS TAKEN TO The Savage Land by the Dragon from the First Issue (Whose Name is Sadurang, I Totally KNEW WITH THE RECAP PAGE. DON’T Doubt Me!), Who Relondéd of the Eye of Agamotto (WELL, AT Least An Eye of Agamotto)) GAMST In the last Issue that if he continues to use the eye, he will eventually be transformed, and desire Human Flesh (and, as we learned from the Most Recent Episode of the TV Series, Impassive faceThe taste for human blood changes the situation for people). There is an excellent sequence where Sadurang wonders why Gambit is so relaxed with him, and Gambit explains that, as a guy who has had a brilliant eye since adolescence, he understands what it is for people to misunderstand you. It’s such a beautiful character’s piece of character.
However, Rogue does not know that Sadurang above all brought Gambit to a private place to warn him of the dangers of his current path, so when they return to Haven, she considers the dragon as a threat and responds accordingly. It is a fun sequence, especially when Rogue is included, and Gambit must be concerned about the way he will come out exactly from the ice. After the incredibly Wolverine by Javier Garron, David Marquez has her chance to make his point of view on Bear Wolverine, who, of course, is not as bear as Garron, but it is not Bear-ish!
By the way, Marques and Matthew Wilson do a phenomenal job balancing three very different and yet connected stories. Marquez is one of those brilliant artists whose character’s work is exceptional, and his work of action is somehow even better, and Wilson gives us different color palaces for each frame, but not in a sighted manner in your face. It is very subtle and yet still distinctive. This whole creative team strikes all cylinders.
Source: Marvel