Home Cinema El Cuervo Remake Ends Up Crashing in Its Second Week in Theaters

El Cuervo Remake Ends Up Crashing in Its Second Week in Theaters

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El Cuervo Remake Ends Up Crashing in Its Second Week in Theaters


The Crow Remake Meets Disappointing Fate at Global Box Office

If anyone expected the new version of “The Crow” Back in its second weekend in theaters, it was definitely a big disappointment. After a lukewarm debut at number eight at the box office, the film quickly dropped to number eleven, as if viewers lost interest almost immediately.

A failure announced at the box office

The first of “The Crow” It wasn’t exactly encouraging, with a debut of only $4.6 million on her first weekend. The situation worsened in the second week, when she had just recovered 1.8 millionbringing the internal total to a mediocre level $8.5 million. If this already sounds bad, even the international numbers offer no consolation: the film has just arrived $13.2 million at the global box office, which is a disaster considering its budget of 50 million dollars.

TO Lions’ PortalThis result is undoubtedly a hard blow, and it is likely that it will be so “The Crow” become one of the biggest movie flops of 2024. Although critics were relentless, giving the film a 22% rating Rotten tomatoesaudiences were a little more lenient with 65% approval. However, this relative acceptance by the public was not enough to draw more people to the theaters, and all indications are that a digital release is imminent. In fact, it would not be surprising if it followed the path of “Borderlands”which took only a few weeks to reach digital format after its theatrical release.

The shadow of an untouchable classic

One of the main problems this remake had to face is that “The Crow” original, starring the deceased My name is Brandon Lee. in 1994 is considered a cult classic. This version has been praised and defended by its fans for years, with many arguing that it should never have been touched, much less remade. However, Hollywood usually ignores such arguments, and in this case, the public reaction was clear: the remake was not well received.

Based on the 1989 comic book series created by James O’Barrfollow the new version Eric Dravenperformed by Bill Skarsgardwho seeks to avenge the death of his beloved Shelly, played by FKA twigs. While the central premise remains intact, the execution under the direction of Rupert Sanders seems to have failed to capture the dark magic and emotional intensity that made the original a timeless classic.

An execution that did not convince

The remake of “The Crow” It had all the ingredients for success: a talented cast, a story with a passionate fan base, and original material with a significant legacy. But something just didn’t click. Despite the efforts of actors like Bill Skarsgard And FKA twigsand the work of the production team led by by Edward R. Pressman and the brothers Hadidathe film failed to connect with modern audiences.

Criticisms point to a direction that failed to capture the gothic essence of the original and a script that, despite being written by the famous Zach Baylin And Will Schneiderfailed to contribute anything new or significant to the story. This reminds us that having good equipment is not always enough; execution and the ability to understand and respect the source material are equally crucial.

The Future of the Crow

With this box office performance, the future of “The Crow” is uncertain. It is likely to receive a new boost with the digital launch, but it is unlikely to be able to recoup the initial investment. Beyond the financial aspect, this failure could mean that studios will think twice before tapping into other cult franchises that have a special place in the hearts of fans.

In the meantime, the 1994 version will remain the standard by which any attempt at revival is measured. “The Crow”. For many, that version will remain untouchable, and this new iteration will soon be forgotten, as one of those films that tried to capture the magic of the past without success. “The Crow” It’s out in theaters now, though the question is: who wants to see it now?

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