Classic cult films are generally ahead of their time, not benefiting much success at the time of their release, but being recognized for their merits years later. Take the Megan Fox and Amanda Seyfried-Starrer, Jennifer’s body. Released in 2009, it was generally ignored or shot at the time, with 46% on rotten tomatoes and a score of 5.5 on IMDB. However, the film had a long -term renewal, thanks to X, Letterboxd, Tiktok, Tumblr and Instagram, where fans praised its feminist friendly themes and LGBTQ + with screenshots and emblematic clips.
Jennifer’s body Jennifer Check follows, the beautiful and charismatic, who is the best friend of the studious Anita “Needy” Lesnicki in Devil’s Kettle. These two have little in common, but share a narrow friendship that no one understands, not even the boyfriend of Needy, Chip. Things get complicated when low shoulder music sorrows come in their small town to occur, but eventually sacrifice Jennifer in Satan for glory and recognition. Their ritual is mistaken about technicality, creating a monster from Jennifer, who needs to kill and eat boys to survive. A merger fusion and a commentary on intimate relations, Jennifer’s body was the seminal cinema which could now obtain the praise it deserves – as well as a long -awaited suite.
Jennifer’s body was a feminist horror that was ahead of her time
Directed by Karyn Kusama and written by Diablo Cody, Jennifer’s body Had a script and a dialogue that were avant-garde for 2009, and he was rejected like another teenage film with a strange edge at the time. However, today, it is clear that the film was poorly marketed, highlighting everything it was not, on its real strength. He was promoted as a sexy and attractive film that capitalized on the image of the Megan Fox bomb after the Transformers Franchise, but the film went much further than that, making the film from the 2000s a classic cult.
Fox’s beauty was only a symptom – the scenario was a dark and satirical vision of women’s treatment from an early age, which was always considered to be disposable, which was proven when Nikolai (Adam Brody) of Low Shouple chose to kill her rather intimately to advance her own fortune. Society has a way of consuming women for beauty and personality, cheap them, then spits when they stop being “useful”. In addition to presenting this ugly truth, Jennifer’s body gave her titular character a fairly epic arc of revenge, where she returns in the form of a demonic succubus to kill the same sex that tried to erase it. From emblematic lines to Fox’s signature movements, this film shamelessly explored female rage and made a woman the monster, overthrowing the typical sexualization and objectivation of women in horror films.
Beautiful Lesnicky: Do you kill people?
Jennifer Check: No. I kill boys.
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As important as Jennifer’s arc of revenge, it was the same for Jennifer’s need and relationship. These best friends were entangled in an obsessive and often toxic friendship, where Jennifer wanted everything that wanted, and the two women hid their clear attraction to each other in a sneaky way. However, the kiss between Needy and Jennifer was well managed – it was just with their friendship, which added a healthy and queer nuance to the film which is respected to date. Jennifer’s body was not perfect, but his self-referential nature made it one of the most intelligent feminist horror films, and he deserved to have been marketed as one. His exploration of feminism, the normalization of bisexuality and his priority to friendship on romance were nuanced and very necessary. Unfortunately, an appreciation of these aspects of the film does not come until later.
Megan Fox was stellar in the titular role
Breaking Megan Fox as Jennifer was not accidental, but a crazy whip choice that only proved that the filmmakers knew exactly what they were doing. Fresh its success in the Transformers Films, Fox was typical as a sex symbol, and did not even give him his credit for his prowess as an actor because of his appearance. However, even an occasional rewatch reveals how Fox has described his female female character in Jennifer’s bodyEspecially after she turned into a literal man eater. She manages to play both monster and victim without leaning too hard in both, walking effortlessly.
Jennifer releases magnetism, and Fox uses his sexuality in his words to attract the spectator (and his victims), making a powerful statement on the way beautiful women are treated in the film and the real world. Her seduction becomes a weapon she uses to defend herself, even if other characters in the film are sure that murders are led by a vicious man. In addition to representing its dangerous side, Fox also manages to pass through the pain and sadness of Jennifer, because it was finally exploited by shady men who transformed it into a demon. Jennifer’s body Gives the public a terrifying female villain with diapers that are much more satisfactory to monitor than the mean of average horror.
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The impassive delivery of Megan Fox of the most devastating and hilarious lines makes its wicked one of the most memorable horror, and its stylized cadence only adds to the appeal. Fox brings comedy to Jennifer’s bodywhich is only recognized today. Jennifer’s monstrosity is as fascinating as its vulnerability, which makes an intriguing watch that refuses to be unidimensional.
It also allows the needy of Seyfried to shine in the moments of their friendship, and their chemistry is electric. Every individual moment between Jennifer and crackling in need with tension, and the complexity between the two is allowed to play. Part of hatred, partial desire and in part love, Jennifer’s friendship and in the need is symbolic of countless female friendships in real life, a representation that was very necessary by young women in 2009. It continues to be relevant today, that’s why Jennifer’s body obtained a second life in the era of social media (and an intergenerational audience to start) despite its “rotten” score on rotten tomatoes.
It looks like there will be a sequel
There were discussions on a series of Jennifer’s body For years, with everyone from Diablo Cody to Amanda Seyfried pleading for a return of horror comedy. In a Variety interview With Adam Brody, Seyfried confirmed that there will be a continuation, and it is directed by producer Mason Novick, who was also part of the original in 2009. Brody said that he had not yet been approached for the future, but also noted that his character, Nikolai, had been definitively killed by need in the last moments of the film.
However, Seyfried pointed out that this should not be a problem, because even the character of Jennifer has originally perished. There wouldn’t be Jennifer’s body Without Fox succubus, and if she could come back from the dead, then Nikolai in another form. To this end, Seyfried also suggested that Jennifer could be brought back after being killed by Needy in the original, noting that she would not do it without fox. The writers, directors and actors have given positive updates to Jennifer 2 body For a long time, and it remains to be seen when the suite will really see the light of day, but it seems very likely with the late buzz that it generated.
“We make another one.”
– Amanda Seyfried during the interview with “Actors on Actors” by Variety with Adam Brody
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Fans of Jennifer’s body Perhaps you have to wait to see a sequel, but it is encouraging to see that a film as progressive as it finally gets the credit it deserves. He paved the way for several modern horror films, such as Body, body, body,, Lisa Frankensteinand even Down, Which made him a pioneer in horror centered on women tinged with dark comedy. He portrays female anger, friendship and sexual fluidity in a way that no other film had, and the lack of discourse on these themes at the time led to his underestimation.
In addition, the sublime performances of Megan Fox and Amanda Seyfried should have been praised as defining the career, because they were really, instead of being dismissed. More importantly, Jennifer’s body Films for defined adolescents but did not take themselves too seriously, inserting emblematic and unforgettable lines as “Hell is a teenager,” And “I mean, she is really evil. Not the pain in high school” who have aged incredibly well in the modern context. If a film deserves a well thought out and bigger suite on budget, it is Jennifer’s body.