48 hours It is perhaps not the first film that comes to mind thinking of action comedies, or Eddie Murphy, which is why he deserves more recognition. Released in 1982, the film saw a young Murphy during his cinematographic beginnings as Reggie Hammond, a convicted man released for 48 hours to help Jack Cates catch a crazy cop. However, despite being a huge success at the box office and launching Murphy’s career, the film is rarely mentioned in the same breath as Rush hour Or Beverly Hills Cop.

48 hours is, technically, a comedy as a boyfriend, but not in the way fans expected it. First of all, when he then gave a badge and a pistol to be installed like only one, Reggie is not a cop. Second, the Relation of Reggie and Jack is anything but friendly. There is also very little absurdity in action, which, once again, is typical of the genre. What the film offers instead is a net dialogue and quick liners that distinguish it and make up with an uptime and Jack one of the best duos on the screen of cinematographic history.

What is Cop Nick Nolte’s comedy and Eddie Murphy Buddy Cop?

48 hours made $ 200 million at the box office

After the career, the criminal Albert Ganz (James Nom) escapes the prison with the help of his accomplice Billy Bear (Sonny Landham), the Inspector of the SFPD Jack Cates (Nick Nolte) works alone to find them. Desperate for the tracks, he temporarily frees up Reggie Hammond (Eddie Murphy), the former partner of Ganz, in prison, giving him 48 hours to help catch the fugitives.

Butting is heading along the way, the duo travels through the city to question Ganz and the former partners of Bear. Realizing that Ganz is after half a million in the sloppy job three years earlier, Jack and Reggie use their street intelligence and their difficult behavior to form an unlikely partnership and bring down the criminals that would kill the cop.

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Reggie & Jack are one of the best duets of action comedy in the history of cinema

The only reason why 48 hours works is because of Nolte & Murphy

Reggie and Jack should not work, and above all, they don’t. They are complete opposites; One being a experienced cop without Bull, and the other a condemned person experiencing freedom for the first time in three years. However, while the duo learns to work on each other and to use forces from each other to their advantage, their relationship becomes at the heart of the film. 48 hours would not work without them.

More specifically, the film would not work without regular. Without him, the film is a generic entry into the genre, producing all fans of familiar tropes have watched a hundred times before; The hard cop is working alone to catch the villain, launching the rules book directly by the window. With Reggie, however, the film introduces an incompatible dynamic that launched the Buddy-Cop formula.

48 hours It was not the first comedy Buddy Cop, and there have been many since then, but there is something about Reggie and Jack who resonated in the early 80s and continues to date. This is mainly due to the natural aspects of their relationship. They are two men at the completely opposite ends in the domain, forced to work together, and their relationship progresses as we would expect. Jack’s reason is personal interest, pulling the prison of the prison because he knows he has avenues and wants to use it to catch Ganz.

Reggie takes advantage of it, playing his cards well and using his information to negotiate better treatment and assert independence in a helpless situation. Over time, their relationship goes from transaction to tactics, both learning to tolerate the other’s differences to achieve their common goal. In the end, while the two never become best friends in the traditional sense, they become partners and count on each other.

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The decision not to make ups and jack the best friends at the end was intelligent, and which distinguishes the film from the most typical buddy Cop comedies. The film resists the tendency of the genre to carefully conclude things and recognizes rather that two men launched by circumstances do not suddenly become brothers after 48 hours. Jack always sends back to prison, and Reggie always launches a blow or two when leaving. This unresolved tension makes their dynamics clearer and more dominant than the duos of formula that followed.

Action comedy fans should look at 48 hours

48 hours is the plan for buddy copies movies

Hot fuzz, bad boys, And Nice guys are only a few of the many buddy cop comedies that have surfaced since 48 hours. So, it’s understandable why the film He has since slipped into darkness and is generally not the first that comes to mind when you think of the genre. 48 hours deserves the recognition of being one of the originals. Before 48 hours, The Buddy Cop comedies were slapstick and exaggerated.

Freebie and the Bean relied on caricatured violence and exaggerated jokes, and Crime bust Likewise favored Slapstick and physical comedy on the development of the character. These films have also traditionally centered on two cops which already had a solid relationship. In some respects, 48 hours is exaggerated and at several moments which leave the viewers mumbling “it would not happen in real life”, but it never deviates completely in absurd territory. Instead, the film is based on a quick dialogue and quick liners.

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Unlike others in the kind of action comedy, comedy in 48 hours comes from Jack and Reggie, not the action, which swings between realistic and dramatic without becoming improbable. Because of that, 48 hours is better classified as an action with comic elements rather than the reverse. While the exchanges of Reggie and Jack offer comic relief, the film does not soften the danger they are confronted.

Ganz is sadistic and willing to hurt anyone on his way, and no part of him leans towards the comedies of wicked cartoons in action comedies. He is a cop killer and a real threat to society, and the action sequences correspond to this energy. This is the type of action expected in a procedural thriller, realistic enough to be plausible, but sufficiently exaggerated to have fun.

Originally, the leaders of Paramount Pictures were worried during the shooting that the violence of the film would overshadow its comic elements, in particular the scene of the hotel shooting.

Of course, it is important to note that 48 hours was released in the early 1980s and is definitely a film adapted to that time. There are several moments and lines which, today, are offensive at the limit, in particular Jack’s racism towards Reggie. However, the remarks should highlight the contrast between the two tracks, and Jack’s comments consist more of affirming authority rather than a real offense. Reggie also rejects some offensive remarks, not only on Jack but on women.

He has been locked up for three years and is, of course, desperate for a female company. Its dated elements are contextual rather than central and are used to underline the conflicts of character rather than approving obsolete views. 48 hours might not get the credit it deserves in the kind of action comedy, but it is a film that always holds one of the best.

There is a lot of action for those who prefer more realistic procedures, associated with just enough absurdity to keep the entertaining things without crossing an exaggerated territory. And, for Murphy fans who love its more charming and lively side, it is not a film on which sleeping. If you haven’t seen it for a while, it’s time to give 48 hours the recognition he deserves.

48 hours

Release date

December 8, 1982

Execution time

96 minutes

Director

Walter Hill

Writers

Walter Hill, Steven E. The Souza, Larry Gross, Roger Spotrisood