Home Cinema Mobland Review: The Paramount + series by Guy Ritchie has too much style

Mobland Review: The Paramount + series by Guy Ritchie has too much style

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Mobland Review: The Paramount + series by Guy Ritchie has too much style


The Paramount + series Mobland is great on paper – and not so much in execution. The last in a long series of Gangster has a row of talents of murderers, led by Tom Hardy, Pierce Brosnan and Helen Mirren. But there is so much genius behind the camera, including the creator of the Ronan Bennett series, who gave the public the phenomenal The day of the jackal Television series in November. Unfortunately, Mobland Never reached Jackal dayThe narrative peaks, because he is suffocated by his own artistic talent.

Mobland – which could also have benefited from a better title – tells the story of two criminal families in London. The man in the middle is the fixer Harry Da Souza, played with a cynical calm by Venom Star Hardy, back in his element. The intrigue follows inevitable conflicts and the inevitable number of increasing bodies, but the characters are lost under a little too much flash and style. There is a big show here, but that doesn’t always lose.

Mobland is not lacking in talent, both on and off screen

There are a lot of printing names

The quantity of talent Mobland Will draw a huge audience on Paramount + with a good reason. The presence of Hardy, former James Bond Brosnan and Mirren – who also features in 1923 To stream it – is enough for most people to take a look at the show, but that does not stop there. The support cast is full of recognizable names in the world of television and British cinema. Harry Jan’s wife is played by Downton Abbey Star Joanne Froggatt, while Dragon House Alum Paddy Considine depicts Kevin, the son of the character of Brosnan, Conrad Harrigan. Kevin is married to Bella, played by Sherlock actor Lara Pulver, while OzarkJanet McTeer and old CSI: Vegas Star Mandeep Dhillon is also in distribution.

Hardy is the clear head of the series, Harry spending most of his time going from one race to another in the name of Conrad and the rest of the Harrigan family. As it is typical of this kind, it is the blue necklace gets your hands dirty for people who live in the large house and drive flash cars. But it is an easy role in Hardy to live, after the years on which he spent working Peaky Blinders And well before that, his film prowls in Layer And By Rocknro. He is quietly charismatic; It is easy to believe that Harry can convince people to do things they prefer not. Brosnan and Mirren chew the landscape as Conrad and Maeve, with Mirren getting closest to the show (which is good, because many viewers do not know how funny she can be).

There are also many known names among the crew. Bennett co-written the first in the series with Jez Butterworth, who co-created Michael Fassbender’s spy thriller The agency For Paramount +, and the two are among a list of more than a dozen producers on Mobland. Others include Hardy and Ritchie, who also directs. It is also a fairly stacked list of talents behind the scenes. But this can be a case of “too many cooks in the kitchen”, because Mobland is heavy on the style and all the elements that viewers want gangster dramas, to the detriment of the significant development of the characters.

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Mobland was originally a prequel to Ray Donovan, and it shows

The series feels like looking for something

Conraid, wearing a black suit, speaks to Eddie in a leather jacket in the paramount + show Mobland
Image via paramount +

In the early stages, Mobland was supposed to be a prequel to the successful series Showtime Ray Donovan. Bennett’s idea was reuttilling in a different series, but this reshuffle is obvious, especially in the first episodes. Eddie always has a lot of points in common with Ray Donovan. Both are repairers who deal with problems for others; Harry just has a specific boss. The two are blue, cynical, rough passes around the edges that are not afraid to get blood on the hands. The opening sequence of Mobland establishes Eddie’s credibility as a fixer and his desire to be violent without any doubt. In addition, the two have faithful wives that support their erratic behavior. Hardy is just as good as Liev Schreiber to put viewers at ease until he does not do it anymore, but his protagonist travels a familiar road.

The same can be said for some of the other characters. It is entertaining to watch Brosnan and Mirren at work (and to compare them to the dynamics of Mirren with Harrison Ford 1923), but Conrad and Maeve are not very different from the usual crime bosses in other British gangster projects. Then there is the young, compulsory child of the family, played by Anson Boon like Eddie Harrigan. The decision fed by Eddie’s cocaine to stab a guy in a bar is the incident of incitement for the whole series, but writers find it difficult to develop it beyond being a hot and hot head. It takes some time to the spectator to invest in the characters, not only the actors who play them.

Maeve Harrigan (in Archie): What are you doing here? I thought you were dead.

It may be because there are layers on style layers MoblandWhich really looks like a ritchy production. The opening of opening credits is a brilliant montage on a rap song with typical gangster images. The needle drops occur when they are not really necessary. The scenes with the upper level of the characters are generally shiny, while those with Harry and the people around him are much darker, filled with characters who all dress in black and have the same attitude of the world.

Writers also look at gender expectations, because people curse themselves and insult each third sentence. Anyone who has seen gangster shows or films will get everything in which he is used to Mobland – But that’s also what prevents him from being really great. There is not enough that makes it unique, in the way in which The day of the jackal was a special vision of one of the best known thrillers of all time. Bennett always has moments of shine, and the series regains steam as you go. This is by no means a bad show. He could simply do much more if he had a more distinct narrative voice, similar to the way in which Layer adopted such an ironic approach to drug trade.

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Mobland on Paramount + is it worth watching?

It is not a prestigious drama, but viewers have a fun diversion

Maeve, wearing All Black, holds a drink to drink while watching Conrad in a costume in the Mobland TV show
Image via paramount +

Because it remains mainly comfortably in the genre, fans of television shows and gangster films will appreciate Mobland. People who will therefore wait for paramount + for the first King of Tulsa Season 3, because this show is a kind of British equivalent to that, except with even more stars power. And anyone just wants to watch first-rate British talents at work can get his popcorn and relax while Harry tries to solve problems for a family that does not seem to know what they would do without him.

Mobland It is worth watching for a variety of audiences, just because of the quantity of known names involved. Whether someone wants to see what the actors or do, or whether they are interested in seeing Bennett’s work more after Jackal dayOr if they want to see how Ritchie’s style is reflected in a television program not based on one of his films, there are a lot to know. Whether viewers remain after the first episodes will depend on their individual taste. Gangster drama enthusiasts will take root in the whole, which includes many big stories that beat each gangster story. Those who seek something subversive or unique will be disappointed. But this is the kind of spectacle that knows what it is and is completely committed, even if it does not always do things.

Mobland will be presented on Sunday, March 30 Paramount + And broadcast Monday, March 31 at 8:00 p.m. on Paramount + with Showtime.


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Mobland

Release date

March 29, 2025


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    Pierce Brosnan

    Conrad Harrigan



Advantages and disadvantages

  • There is an incredible quantity of talent in the show, both in front and behind the camera.
  • There is enough action to advance the episodes.
  • Too many creatives lead to a confused vision of the show.
  • The series covers a very familiar land with regard to the dramas of the crowd.

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