Many fans will remember the leading roles of Harrison Ford and will first think of his role in George Lucas’ American graffiti or how it briefly appears in Apocalypse now. However, there is a clear link between Harrison Ford and several “brats” of the 1970s. Having worked with three out of five of them early in his career, Ford’s success can be attributed to many of these roles. As an emblematic Han Solo and Indiana Jones characters, he has cemented his place as a movie star in Hollywood and would continue to have a sumptuous career as one of the best actors in cinema. The role that really changed his life was Han Solo Star Wars. Before that, he seemed stuck by playing characters with great star power. By playing one of the greatest support characters for all time, he showed studios, he had the ability to open the way.

Star Wars would lead to his success as a film star such as Raiders of the Lost Ark, Blade Runner And Witness, among others. However, fans may not be aware of the particular role has paved the way for the implementation of Ford Star Wars, And he came to a legendary film by the director of 1974. What was different in this role is that Ford had a much more active goal in the global intrigue of history. As a support character, Ford guided the intrigue towards its possible climatic touch, but played a big role in maintaining the mystery of the film. In fact, as the main antagonist force of the film, Ford had the chance to show its actor chops for the first time on the big screen. His performance is an underestimated highlight which has essentially won him hearing Star Wars.

The connection of Harrison Ford to George Lucas and Francis Ford Coppola launched his career

Harrison Ford initially shone in the comedy of George Lucas in 1973 American graffiti, Where he plays a tumultuous teenager looking for kicks. In a role like this, Ford was not really able to continue to do part of the comic work he had already done on television. In order for him to be taken seriously as an actor, Ford had to diversify the type of roles he could play. In Star WarsFord plays Han Solo to the best of his abilities and with extreme versatility. Embodying all Han’s comic and emotional sides, it is certainly the role that has changed everything for Ford. However, its role of monitoring American graffiti This is the first time that Ford has shown other sides of his talent. After working with George Lucas in 1973, American graffiti Producer Francis Ford Coppola has decided to launch Ford in his next 1974 film, and not the one that everyone remembers. The same year that Francis Ford Coppola made Part II of the godfatherHe also made another film called The conversation.

Featuring Gene Hackman as a Harry Caul paranoid surveillance expert, the classic thriller tells the story of the suspicions of turnover that his most recent customer will assassinate his last subjects. There remains an incredible feat of Coppola’s career that he made three of the best films of all time in the 1970s and managed to sneak into this forgotten jewel in the middle of Part II of the godfather success. The conversation is one of the four incredible films that Coppola made in a period of ten years, and he has a 93% score on Rotten Tomatoes. We think that Coppola liked the presence and aura of Harrison Ford American graffiti, as opposed to Lucas recommending it. Coppola liked the Ford actor chops and decided to give him a key role in The conversation. In the film, Harrison Ford embodies the corporate Martin Stett who works directly under the CEO of his business. Stett is a constant imminent obstacle for Harry Caul and finally turns out to be an ambiguous part of the fantastic climate turn of the film. After delivering an effective performance, Coppola recommended Ford to Lucas when the time came to start to launch for Star Wars.

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Harrison Ford stole the show in each of his scenes in the conversation

The conversation Another of these new classics in the Hollywood era which remains a masterclass in cinema. Specifically, The conversation Underlines how to use the POV through sound, imagery and publishing to evoke specific emotions in order to overthrow the expectations of the public. The whole film, the audience saw things through Harry Caul’s eyes and ears, which makes it assume that what is discovered is logically the truth. However, the film also establishes the paranoia of Harry Caul with each sequence and begins the public to wonder what is really going on. Once things are in the end, everything becomes clear that The conversation is a story riddled with subjectivity.

The torsion is shiny because it is incredibly realistic and looks at the public all the time. The warning is that everything is learned and explored through Harry’s paranoid spirit. Using sound and editing, the language of the film does not allow anyone to suspect that Harry could overcome too much with his thoughts and opinions. The accumulation of what is happening makes the twist much more difficult than expected. The conversation is also a brilliant work of ambiguity and a large part of its effect comes from the character of Harrison Ford.

Once his work is finished, Harry provides the conversation records he recorded to his client. A corporate man in Grosse-Wig is the one who hired Harry for work and is ready to pay Harry for his services. However, at this stage, Harry already suspects an unfair game and which the objectives he questioned could be in danger. Maybe Harry would have given the bands if they were directly to his client. Instead, Harry must give them to his client’s business assistant Martin Stett, and decides not to do so.

Ford plays Stett with an air of ambiguity to start, making Harry and the public wonder what ulterior motives Stett. Ford is such a presence that whenever he is on the screen, we do not know how much danger Harry could be. Throughout the film, the character of Ford is Harry’s largest antagonist (other than his own mind) and appears when Harry expects the least. It is clear that Stett cannot trust and the extent of his danger becomes as unexpected as the twist itself, adding a more annoying quality to his character. When everything is revealed, it is not clear if Stett was involved in the conspiracy or not, but that only makes it much more disconcerting. Ford’s performance has enabled the film’s intentionality.

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There are many more films like the conversation in Ford’s career

Although it is clear that Harrison Ford has The conversation Thanks for winning the role of Han Solo in Star WarsIt is also possible that the film helped him win other roles in emblematic thrusts. One of the not so obvious examples of Ford’s success in thrillers is Blade runner. Combine the science fiction elements of Star Wars With the thriller aspects of The conversation,, Blade runner Ford gives one of its most captivating performances as responsible for the morally compromised law investigating a mysterious affair. Ford’s ability to approach several emotions in order to embody the themes of the film is one of his greatest talents. This is something he started to do The conversation. However, beyond Blade runnerFord would go to one of the most eminent thriller actors of the 80s, 90s and 2000s.

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We could actually say that Harrison Ford’s greatest films are his thrillers. Start Witness In 1985, Ford would continue to make a ton of classics in the genre. From 1985 to 95, Ford gave fans his decade of ultimate thriller with underestimated jewels such as Frantic And Presumed innocent and blows such as Patriotic Games And The fugitive. Ford was then caught in a intense conspiracy thriller manufacturing cycle due to the success of The fugitivesuch as Clear and present danger, Air Force One And K-19: the widower.

Each film in the Ford thrillers catalog is great, and that is why paying some attention to its first thriller has a lot of meaning. While The conversation Will never be the biggest thriller by Harrison Ford, it is certainly the one who started everything for the legendary actor. Without The conversation, Harrison Ford would not have been a lock to play Han Solo Star Wars, But he might also not become one of the best thriller players of all time.

The conversation

Release date

April 7, 1974

Execution time

113 minutes

Director

Francis Ford Coppola

Writers

Francis Ford Coppola