Butch Cassidy and The Sundance Kid is one of the first films that come the most spirit when you think about the Western genre; And for a good reason. Based on the two real outlaws, George Roy Hill’s film depicts a west in transition while the two titular characters try to overcome the closed world.
Butch Cassidy and The Sundance Kid It is not a classic Western history on justice or redemption, but on survival and what it takes to reach both ends in an evolving world. It is a Westerner who in fact resisted the test of time, discussing the themes which are as relevant today as in 1969, in particular with regard to industrial changes and the evolution of societal structures. But beyond all this, it is always a classic Gunsling tale with enough action to satisfy gender fans – until its peak, which offers a tragic end to a surprisingly poetic story.
Butch Cassidy and the Sundance Kid tells the story of two outlaws on a quest for freedom
Butch Cassidy and The Sundance Kid Follows the two holders, Butch (Paul Newman) and Sundance (Robert Redford), who heads the gang hole in the wall. But after a train flight too much, the couple finds themselves hunted by a group of legislators. Desperate and out of the options, the pair flees through the American West with a plan to move to South America. They head towards Bolivia with the companion of Sundance, Etta Place (Katharine Ross), hoping to exceed their past and start fresh in a new country. But, quite early, they are back to steal the banks in an unknown territory and what begins as a second chance quickly turns into another pursuit and a final that none of them can avoid.
Butch Cassidy, born Robert Leroy Parker, obtained his nickname a job he had in a butcher’s shop. The Sundance Kid, whose real name was Harry Alonzo Longabaugh, obtained his nickname after being arrested in Sundance, Wyoming.
The film opens onto a west which is already in transition. Banks have more security, trains have more guards and legislators are now traveling in packs with the support of private companies. It is a rapidly evolving system that the pair is struggling to challenge, and their train flight company cannot follow. This is what pushes the pair of freedom, in search of a world that no longer allows them to live as they did. Freedom is a central theme in Butch Cassidy, But not in the traditional sense. They do not try to escape the life they built for themselves, but rather to escape the transition which forces them to conform. The problem is that two men cannot comply because the train flight is their only means of survival. Irony is that this is also what traps them.
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The relationship between Butch and Sundance is one of the strongest prints in the film. Their friendship is built on usefulness as much as confidence, with Butch as the strategist and Sundance as Gunslinger. What makes their friendship more interesting is that it is also a kind of trap. None of them will leave the other behind, even when things get worse. There is no fallout between them, but there is no option either for one of them to go away. The film treats their friendship as inevitable, which makes it both comforting and tragic. This is the most stable thing in their lives, but it is also one of the reasons why they do not change.
Eventually, Butch Cassidy and The Sundance Kid is a tragic story on two men stuck in a cycle. They want freedom, but cannot in an evolving West that pursue them. They want to escape but cannot because the lives they have built for themselves, and the actions that brought them there, are the way they survive.
Butch Cassidy and The Sundance Kid have one of the most tragic ends of all time
End of Butch Cassidy and The Sundance Kid was inevitable. Despite his central intrigue and theme, he has been clear from the start that it is not a story that really ends in freedom. As the final shots are coming, the film has already done the job to show how they are out of regard. The West changes too quickly for them to follow, and the law is no longer a single sheriff that they can exceed. Even after crossing a continent, they are always swallowed by a system that has no space for them. The last scene simply confirms what the second half of the film said: there is no room left for men like Butch and Sundance.
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What makes the end struck so hard is how speed happens. The couple enters the street, thinking they might do it, and the film freezes before seeing what’s going on. Of course, the cracking of a history book will tell viewers everything they need to know, and the film does not leave exactly much interpretation. But, however, it is the choice not to show the last moment that lands the hardest. It has also been an end of many viewers since then. Thelma and Louise Cliff coach, the last shot of Bonnie and Clyde, And GallipoliWith Mel Gibson Mid-Sprint, before he cuts black. These breaks force the public to sit with the moment and to treat it themselves. Watching someone dying on the screen is definitive; He closes the door. But cutting just before it happens maintains the emotional tension alive, creating a fraction of a second of hope even when viewers know how it ends. And in films like Butch Cassidy and The Sundance KidWhere the whole story was built at that moment, it strikes stronger because it leaves viewers on the edge to stop suddenly.
Butch Cassidy was a major success at the exit, totaling $ 102,311,848 worldwide against its $ 6 million budget.
He also reappears the tone of the film retrospectively. Until then, Butch Cassidy and The Sundance Kid Play like a friend as a friend as much as a western. So when the end finally arrives, it looks like a bait and a switch, but in the most effective way. He locks the characters in their most emblematic pose, drawn and always provocative rifles. By not showing them fall, the film allows them to remain legends, almost a last act of mercy which transforms their fall into myth.
Butch Cassidy and The Sundance Kid We are still talking about more than half a century later. Partly because it has all the classic Western action, but also because it is a somewhat touching story, in particular with the friendship between Butch and Sundance. But it is the end of the film that makes it one of the best of its kind. No last -minute rescue or lucky escape, only two men who hit the end of the road and stand in front of their inevitable fate. It is an appropriate end to a film that has never been to win, but the price of trying to overcome your past and survive in a society that is no longer used to you.
