More than three decades after the final of the series, On the other side continues to delight readers with its fun and timeless gags. The combinations of artistic and literary devices of Gary Larson do not resemble what is in other comics. A revisited theme that deeply supports this assertion concerns role reversals.
In the use of the inversion of roles, Larson incorporates different artistic and technical styles comic to make each work unique. Most are light and contain recognizable locations and events. As such, these problems are widely accessible, which makes the most hilarious comic strips of roles reversal from On the other side Available for a large audience.
The inversions of roles on the other side can be frustrating but funny
Having a dog or other wild animal whisk through waste can be a problem. Between noise and disorder, it is an aggravating disturbance. A scene from On the other side reveals that if the roles were reversed, the situation would remain unchanged. Although it would be much more fun for witnesses. The carefree behavior of man is a humorous contrast with the serious canine.
Due to the lack of legends, the inversion of Larson’s role is based on artistic techniques. One of the most important is the use of the curvature. Additional curves in the sidewalk, the earth and the sky help the vertical and diagonal lines of the man who run to create a focal point. The basic conception of the character also creates a subtle suggestion of a relaxed attitude. This reflection of reality in the inversion of the role of Larson helps him find a place in the ranking.
“Beware of Doug”
Another role of inversion features canine activities uses a humorous concept in an interesting word play. The phonetic resemblance between “Dog” and “Doug” creates a solid comedy thanks to the complete illustration of Larson. A simple but effective design allows readers to quickly assess the scene when they read the text. Add to that the double domination of the sign and Doug, and the result is a widely available and entertaining comic strip.
A key to the success of the gag is the additional humor obtained from the possible results of the scene. As with most dogs in the situation, the seller has no idea how Doug will react. The warning implies that it could be aggressive, but other factors could be at stake. In any case, anyway, Thoughts involving the next event offer readers an additional physical comedy.
The distant side reveals humor in a tragic historical role inversion
The fate of Marie Antoinette is one of the most impactful role inversions in history. The parody of Larson’s event gives his audience the opportunity to laugh a differently dark moment. Recognizable intention and the association of words in dialogue are hilarious. Provided that the context and the reference are included, the comic book provides an exceptional comedy using another creative pun.
A dynamic and diversified palette draws the attention of viewers for an extended period. Many details, such as the objects held, the appearance of Mary and the expressive body language of the crowd, tell a story that takes time to take place. The effective visual relationship of history makes the sole purpose of legends to explain to those who do not have the necessary information. As long as source material remains a widely known historical event, this question of On the other side will continue to entertain.
Distant monsters also have fears
Many children are afraid that the monsters hide in their room. Whether under beds or in cupboards, any dark space has a suspicion area. A funny scene from On the other side Explore what the situation might look like if the roles were reversed. Even if humans can be frightening, the irony of the joke is comical. Few people would expect a monster to display the fear observed in the illustration.
Because comedy is based on the concept represented and its inspiration of thought, a great design is not necessary. Larson’s simplistic drawing helps readers focus on the idea, as opposed to the visual elements. The retention of the scene details draws attention to the legends. The punch line finds success by imitating the expected answer.
Animals on the distant side defend themselves well
Trappling was a reliable source of income for a while. Perhaps too reliable, as several species have become suchonked. A humorous role inversion shows how animals On the other side managed the situation. Comedy’s craft comics using caricatured irony. With the scene represented in mind, it is unlikely that distant creatures have suffered as much as their counterparts.
Although he contained a deceased individual, Larson’s artistic styles prevent the joke from going too far. The skeleton recalls older caricatures, as Looney Tunes Or Tom and Jerry. The use by Larson of bright colors and clear shade also compensates for possible morbid interpretations. Thanks to these visual aspects and the clarity of the text in the scene, a large audience can find entertainment in the unexpected inversion of the role.
Taking flowers is not wise on the other side
Taking flowers and shooting their petals is a universal hobby. Many use activity as a game associated with romance. However, On the other side reveals a dangerous setback by reversing roles. Attention is immediately drawn to humans because of his contrasting outfit. The unhappy man in the illustration is about to learn that picking flowers is not an activity to be taken lightly.
Several devices operate in tandem to support the gag. In legends, the emphasis is on “we are”, which strengthens the use of the reversal of roles, just like repetition. The facial expressions of each character correctly express emotion while supporting the allusion of joke to future events. In combination with the brilliant use of color as an identifier, Comic strip inspires a fun line of thought This finds this entry a comfortable place in the ranking.
A distant cat is found in a frightening role inversion
Cats are generally useful when it comes to getting rid of rodents. Of course, mice and similar are generally smaller than an average feline. A first comic strip of On the other side Displays the importance of this mass difference. In this case, The exaggeration used in the reversal of Hunter and Prey is hilarious. The enormous size of the mechanical mouse leaves no room for doubt about the disastrous situation of the cat.
An essential artistic element that helps promote laughter is the contrast of shade. The lighter aspect of the right side has an initial focal point. Thanks to this, the darkness of the corridor is able to effectively deliver the joke while creating an atmosphere of support. There is an advantage for unlucky cats. The mouse can be large, but it seems slow and difficult to maneuver, quickly making an escape.
The distant side reveals a new perspective thanks to the inversion of roles
Tearing stories of ghosts can be a fun activity, especially during the campsite. Some become so memorable that they are transmitted to the next generation. Such a story implies a man with a hook for a hand that terrorizes adolescents. When On the other side Explore a reversal of roles in history, an interesting question arises: what if the man had simply sought help?
There are several points of interest in the illustration. One main reason is that each object and no one in the scene stands out from the rest. This helps to promote an extensive vision that inspires humorous thoughts. Most come from suggestive comics. An excellent example is how Facial expressions return hilarious the roles of history. Given the human point of view, it is not surprising that he has a shelf lined with additional hooks.
Children on the distant side are downright frightening
Speaking of facial expressions, the appearance of a terrified character of On the other side Provides a solid base for comedy in an unexpected role reversal. Identifying a mysterious creature that looks in your window is a shocking experience. Larson shows how the change of role in the situation can be humorous. The implausibility of the feared reaction of the woman creates an entertaining gag.
The illusion of lighting and deep darkness creates the planned atmosphere. Larson also uses the effect to wedge the character, providing additional support thanks to the position of the position with fear. The full moon adds another connection, as is the reflection of television. This successful combination of techniques makes it possible to make comics a pleasant experience for readers of all ages.
A distant monster changes without knowing it
Some situations are hilarious at first glance. A fine example comes from On the other side When a human hand reaches a driving monster. The scene does not require any legend or additional explanation to readers to understand the planned joke. Despite the modified characteristics, the calm behavior of the humanized driver the character, while the sinister pose of the arm implies an awful antagonist.
The inversion of Larson’s role portrays a clear and recognizable image. A large audience can appreciate humor thanks to the use of a familiar scenario. In this case, despite the abolition of an intimidation factor, readers always expect the driver to react accordingly. The resulting line of thought is fun of all angles thanks to an abundance of ironic possibilities. The widely accessible humor of this entry does not make first place in the ranking.
- Writer
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Gary Larson
- Editor
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Universal Press Syndicate
- Artist
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Gary Larson